Starship 19

 

We would like to invite you on the occasion of the new issue of Starship magazine for an afternoon presentation in Berlin at TV Bar.
Aus Anlass des Erscheinens einer neuen Ausgabe des Magazins Starship freuen wir uns zur Präsentation in Berlin in die TV Bar einzuladen

Gerry Bibby, Mihaela Chiriac, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen

Sunday, 23 February, from 4pm
Sonntag, 23. Februar, ab 16:00

 

Cover: Nora Schultz, Back cover: Mark van Yetter
Magazine Design: Starship and Dan Solbach

 

Starship #19, Apokolypse of the praktikal moment
Spring 2020, 176 pages, color, English/German
8 € / abroad 10 € ($12)

 

presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith;
and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

introducing new columnists: Mihaela Chiriac, Michèle Graf & Selina Grüter, Julia Jung, The Parliament of Bodies, and Ulla Rossek

and our columnists: Tenzing Barshee, Gerry Bibby, Mercedes Bunz, David Bussel, Eric D. Clark, Jay Chung, Hans-Christian Dany with Valérie Knoll, Francesca Drechsler, Stefanie Fezer & Vera Tollmann, Julian Göthe, Karl Holmqvist, Stephan Janitzky, Jakob Kolding, Lars Bang Larsen, Ariane Müller with Huang Rui, Robert M. Ochshorn, Mark von Schlegell, Max Schmidtlein, Amelie von Wulffen, and Florian Zeyfang

and artworks by Melvin Edwards, Elizabeth Ravn, Nong Shoahua, and Mark van Yetter

 

 

Dear friends,
However much previous iterations may have joyfully detoured, escaping the suggestion of an introduced preoccupation, slipping into other orbits, we did not enter into this issue with a central theme. #19’s prefered entry into this nominally new decade is with a de-centred face—including a slight shift/glitch in our format that’s been around since Henrik and Nikola set re-start on the magazine. Borrowed from the new or old, or projecting an altogether non-face, this might be a mask if we’re to take Jack Smith’s lead. If it has organs that better sense the world around it differently, these might be submerged, sensing other spaces, as Nora Schultz’s cover and contribution reminds us. Swimming throughout these pages, fragments of surfacing whales make contact with a conversation between women who talk about women; confront the social deviations of a (dis)behaving inside outsider; locate the violence of a cage designed for a worker’s optimized productivity from a distance… & even senses a lamenting allegory about dogs in a desert without language. Before returning to what lies beneath the surface, leaving it for the activities of painters and poets.

—Gerry Bibby, Mihaela Chiriac, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen
(from the editorial)

 
Starship Nº 19 is published by Starship e.V.
Editors (ViSdP):
Gerry Bibby, Mihaela Chiriac, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen
www.starship-magazine.org
redaktion@starship-magazine.org

 

Please join us at
TV
Potsdamer Straße 151
10783 Berlin-Schöneberg

Sunday, 23 February, from 4pm

TV
Bar open every
Thursday
Friday
Saturday
from 7pm until late

 

 

 

RPI – West Germany

Mask Off 1
West Germany, Berlin
07.02.2020

Live audio video performances

Recycling Plastic Inevitable (RPI)
Theresa Patzschke, Eleni Poulou, Martin Ebner, Sebastian Luetgert
Wild Style Lion (Khan of Finland and Philipp Virus)
Dabbs Anderson
Gina D’Orio
Caesar Von Schnitzler

 

all photos ©️ Tanja Krokos/diproton.de

It

 

Ariane Müller & Martin Ebner, Untitled (It)
Video installation, mixed media, 2019

Red Gate Residency, December Open Studio
Saturday, December 28th, 2019
Chris Bennie, Guo Rui, Ariane Müller & Martin Ebner, Meng Deyu, Zhou Yichen

Red Gate Gallery
798 Art District,
No. 2 Jiuxianqiao Road,
Chaoyang District, Beijing, China

RPI – ICA




Opposition to the Commodity
ICA – Institute of Contemporary Arts
Live
Sat, 07 Dec 2019, 2:00 p.m.
The Mall, London SW1Y 5AH

ASP 5
Artist Self-Publishers’ Fair: The 5th

 

Seven self-publishing artists read and perform their work as a prelude to the 2019 edition of the Artist Self-Publishers’ Fair.

Through a series of presentations, artists, writers and publishers address radical notions of accessibility and opposition to the commodity. Performers include Ruth Angel Edwards, Adam Gallagher, Emily Pope, Recycling Plastic Inevitable, Oliver Rees, James Whittingham and Angharad Williams.



Recycling Plastic Inevitable (RPI)
Theresa Patzschke, Eleni Poulou, Martin Ebner, Sebastian Luetgert


Ruth Angel Edwards currently lives and works in London. Her work has been exhibited in the UK and internationally at Arcadia Missa, London; Auto Italia South East, London; Tate Modern; FACT, Royal Standard, Liverpool; Human Resources, Los Angeles; and MEYOHAS Gallery, New York.

Adam Gallagher is an artist and writer based in London who works mainly through performance –challenging its reliance upon temporality and working against the performative-artist-ego. He self-publishes a series of pamphlets called E.A.R.F.

Emily Pope is an artist based in London. She is currently making a sitcom called The Sitcom Show. She is interested in labour, characterisations of ‘the worker’, monologues, ‘feminist’ video art, series making, mainstream and experimental television, social realism and American folk singers (mainly Nanci Griffith), among other things.

Recycling Plastic Inevitable (R.P.I.) is a minimally expanded video and music project by Theresa Patzschke, Sebastian Luetgert and Martin Ebner, artists and/or writers living in Berlin. For their performance as part of ASP5, they will be joined by musician Eleni Poulou (Honey-Suckle Company) to present an audiovisual sequence based on words and sentences from the Berlin-based art magazine STARSHIP.

Oliver Rees is a London-based artist. Exhibitions as a solo artist and as part of the group Model Court include Haus der Kulturen der Welt, Berlin; Stroom Den Haag, The Hague; Gasworks, London; Limoncello, London; Theaterhaus Jena; The Hole, London; Bonheur Theatre, Rotterdam; and Chisenhale Gallery, London.

James Whittingham lives and works in London. His work has been shown at 3236rls London, Liszt gallery Berlin and Lima Zulu project space London. He has written a novella titled Drones & Dresses.

Angharad Williams is an artist and writer who lives and works between Wales and Berlin. Recent group and solo projects have taken place at Haus Zur Liebe, Schaffhausen; Barbara Weiss, Berlin; Croy Nielsen, Vienna; No Bounds Festival, Sheffield; Peak, London and Radiophrenia, CCA, Glasgow.

 

Book tickets
02:00 pm
Sat, 07 Dec 2019
Cinema 1

£7 Full, £5 Concs/Green Members, £3 Blue Members
Red Membership includes free access to all programmes for £16.66 / month.

Ice Cigarettes




Ice Cigarettes

November 30, 2019
Grüner Salon, Volksbühne Berlin

Klaus Weber
Egill Saebjörnsson
Kolbeinn Hugi Höskuldsson
Marja Marlene Lechner

Visuals: Martin Ebner

DJ
Eric D. Clark



on the occasion of the opening of
Klaus Weber: NONUMENTS
Opening: 30.11.19, 19:00
Duration of the exhibition: 1.12.19 – 16.02.20
Opening hours: 24/7
LVX. Pavilion of the Volksbühne at Rosa-Luxemburg-Platz




RPI – AN



 

 

On the occasion of the closing of Ariane Müller AN, please join us for:

10 Minuten live Verpuffung:
Recycling Plastic Inevitable (R.P.I.)
mit Theresa Patzschke, Sebastian Lütgert, Martin Ebner

Sunday, October 20th 2019; 5 – 8 pm
10 Minuten live Verpuffung: 7 pm, sharp

 


Schiefe Zaehne
Schliemannstr. 37
10437 Berlin

 

 

 



a-clip @ arsenal

 

October 9, 07:00 pm
Arsenal Cinema 2
Potsdamer Straße 2
10785 Berlin

A-Clip
Public screening
Free admission

 

A-Clip was a project (1997–2003) that proceeded from the basic idea of making use of the attention of cinema audiences to place political and subjective artistic statements. Short films were made to this end which took their bearings from the advertising aesthetic, picking up on it, mocking it, or breaking with it, and which grappled with the theme of “internal disquiet” that grips people and leads to a lack of solidarity. The individual A-clips, each of them around 50 seconds long, were edited into the blocks of cinema adverts. The A-clip producers were filmmakers or artists looking for new ways of creating a political public. For the use of A-clips in cinemas, 35mm prints were created, which remained in the Arsenal archive and are now stepping out into the light once again. At a public screening, we don’t just want to inspect the state of the material, but also see what sort of effect the clips have today. (stss) (9.10., screening attended by several producers).

A-Clip war ein Projekt (1997–2003), das von der Grundidee ausging, die Aufmerksamkeit des Kinopublikums für die Platzierung politischer und subjektiv-künstlerischer Aussagen zu nutzen. Dafür wurden Kurzfilme produziert, die sich an der Werbefilmästhetik orientierten, sie aufgriffen, persiflierten oder brachen, und die sich mit dem Thema der „inneren Verunsicherung“ auseinandersetzten, die Menschen erfasst und zur Entsolidarisierung führt. Die einzelnen A-Clips, jeweils ca. 50 Sekunden lang, wurden in die Werbeblöcke der Kinos hineingeschnitten. Die A-Clip-Produzent*innen sind Filmemacher*innen oder Künstler*innen, die neue Wege suchten, um eine politische Öffentlichkeit herzustellen.
Für den Einsatz der A-Clips in den Kinos wurden 35-mm-Kopien hergestellt, die im Archiv des Arsenal verblieben und nun wieder hervorgeholt werden. In einer öffentlichen Sichtung wollen wir nicht nur den Zustand des Materials begutachten, sondern auch überprüfen, welche Wirkung die Clips heute entfalten. (stss) (9.10., in Anwesenheit einiger Produzent*innen)

A-clip in the Arsenal – Institute for Film and Video Art Archive

a-clip.net

Friends With Books 2019

Friends with Books
Art Book Fair Berlin
Hamburger Bahnhof –
Museum für Gegenwart – Berlin
20–22 September 2019

Are You…Friends with Books? Public Programmes 2019

Saturday, 21 September
13:00 h
Art Historian Fiona Geuss and artist Martin Ebner of Starship discuss conversational formats in art from 1969 to the 1990s and how publications not only accompany exhibitions, but can also be an integral part of artistic practices due to their ephemeral format. Presented by Friends with Books.

https://www.friendswithbooks.org/content/are-youfriends-books-public-programmes-2019

Athens Art Book Fair 2019

 

 

Starship @
Athens Art Book Fair 2019
kindly hosted by Radio Athènes

Athens Art Book Fair is an artist-run initiative aiming to bring together and showcase artist publications produced in Greece as well as to create a link with publishing-based artistic practices (print, online and else) internationally.
Athens Art Book Fair was founded in 2019 by Margarita Athanasiou and Michalis Pichler.

 

Recycling Plastic Inevitable (RPI)

 

 

Recycling Plastic Inevitable (RPI)

Musik-ähnliche Musik, Bild-ähnliche BIlder, intensives Gewühl in filigranem Dekor, kaum wahrnehmbare oder sehr schnelle Bewegungen, zugeneigtes Pendeln und gelegentliche Improvisationen in brüchig gleitenden Bild-Ton-Spuren mit Theresa Patzschke, Sebastian Luetgert und Martin Ebner

Music-like music, image-like images, intense bustle in filigree decor, barely perceptible or very fast movements, affectionate swings and occasional improvisations in crumbly gliding audiovisual tracks by Theresa Patzschke, Sebastian Luetgert and Martin Ebner

Sunday, 1.9.2019, 4pm
TROPEZ im Sommerbad Humboldthain
Wiesenstraße 1, 13357 Berlin

 

 

Greenscreen works supported by
Medienwerkstatt im Kulturwerk des bbk Berlin